Jun. 19th, 2017

Well, if I wanted to get through this deconstruction with any kind of speed, Orwell helped me out. In Chapter five, not much happens. Syme disappears, to be commented on by some on the first day, then not commented on at all. The rest of the chapter is focused on re-establishing what we already know.

The rented room is, psychologically, very important to Winston. The owner of the antiques shop likes to talk about the past and Winston has imbued the past with a spirit that I don't think it really deserves. We rehash the fact of Winston having, for a few minutes, had that picture of people who had been vaporized. Julia doesn't care about such things. Despite viewing the Party to be a bunch of liars, she doesn't think to reject what they say except where the Party touches on her life. Winston outright tells Julia that she's only a rebel from the waist down and she finds that brilliantly witty.

Most of that is told in somewhat florid exposition. In storytelling, there's "show, don't tell". Well, I get the impulse to tell. It's quicker. It's easier. In writing, it's hard to be exactly clear on what you want your readers and/or audience to know and to never actually tell them. But, what am I complaining about? I get to move on.
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